'Montevideo del 900':

Liberated territory for women’s artistic production

Authors

DOI:

https://doi.org/10.29192/claeh.39.1.3

Keywords:

Plastics arts, Uruguay, Women artists

Abstract

This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20th century, revealing the logics as well as the places from which the society of the time enabled the participation of women in the field of arts.

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Published

29-06-2020

How to Cite

Tomeo, D. (2020). ’Montevideo del 900’:: Liberated territory for women’s artistic production. Cuadernos Del Claeh, 39(111), 65–80. https://doi.org/10.29192/claeh.39.1.3

Issue

Vol. 39 No. 111 (2020)

Section

Artículos

License

Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional.